Robots Don’t Interact: Why Humans & AI Will Never Understand Each Other

Lindsey is the co-founder of F-BOM.com, a science fiction, fantasy, and feminist book club. Every quarter, F-BOM hand-picks a talented, self-published author and distributes a special edition of her book to club members. F-BOM is more than just a book club — for as little as $5 a month, members will be actively investing in the future of women in science fiction and fantasy.

Artificial Intelligence has long been a mainstay fixture in the science fiction genre. Indeed, AI as a plot device can carry an entire movie or television show and keep us riveted to the screen. The cultural significance of AI in entertainment increases as we grow ever more tantalizingly close to achieving human-like artificial intelligence in real life. As early as a month ago, Snopes investigated the slightly exaggerated claim that Facebook would be shutting down their AI. This was allegedly due to the fact that AI were creating their own incoherent language to more efficiently talk to one another.

It makes sense that human language (especially English) would not be efficient enough for a robot’s taste. Let’s look at some examples of AI that struggle with human communication — and vice versa.

GLaDOS, Portal

This game is a great example of how grammar and vocabulary are not the only thing necessary to communicate. The star robot of the popular Portal series is GLaDOS, an artificial intelligence that has made it her life goal to test humans under inhumane conditions. It’s a fantastic example of misunderstanding human culture.

Not only that, but the laughable (yet paradoxically much-loved in fandom) companion cube is clearly intended to help the human player bond to something. Of course, it’s only a grey metal cube painted with hearts. This makes it difficult to anthropomorphize the cube to form even the smallest attachment, yet GLaDOS is oblivious to this failure. One of her other hilarious incentives for the player is that “you will get cake” at the end of every level. Spoiler: there is never any cake.

Continue reading “Robots Don’t Interact: Why Humans & AI Will Never Understand Each Other”

Advertisements

Stand By Me: Love & Vulnerability in ‘Final Fantasy XV’

Final Fantasy XV centers around love between men. If you’ve played the game, this is not a contentious statement.

It’s been almost a year since the release of the latest installment in the Final Fantasy franchise, and after playing it, I would argue it’s one of the most emotionally nuanced stories in the series’ history. The game follows Noctis Lucis Caelum, a prince of the kingdom of Lucis, as he undertakes a road trip with his closest friends. His goal to wed his fiancée, Oracle Lunafreya Nox Fleuret, is dashed when the expansionist empire of Niflheim invades the capital city of Lucis. Noctis’ journey refocuses on harnessing the power of Lucis’ old rulers to free the land of Niflheim’s corrupting influence.

FFXV continues the series’ legacy of exploring themes of vulnerability, loss, and intimate relationships among its title characters. While there are women in the game, they feature less prominently than the “chocobros,” and struggle with their own host of problematic representation.

Oracle Lunafreya, Noctis’ promised, takes the role of white mage and, while self-sacrificing, is effective at rallying the gods to save the world until she ends up conveniently dead halfway through the story. Iris Amicitia, sister of the burly Gladiolus, is a cutesy tagalong, but it’s only mentioned in passing that she grows up to be a famous monster hunter.

Aranea Highwind is the sarcastic, jaded mercenary and powerful warrior (that boob armor tho) while celestial servant Gentiana is an enigmatic, helpful spirit, but also a giant, dead, half-naked goddess who’s not actually dead. Pure Final Fantasy. There’s also the expert mechanic yet highly sexualized Cindy Sophiar (don’t even get me started). Characters often comment about how she’s married to her work, which is a slight improvement.

The main focus of FFXV is — for better or worse — on the relationships between Noctis and his three friends; the beefy bodyguard Gladiolus Amicitia, his tactical advisor and perennial mother Ignis Scientia, and his best friend and gun-toting precious little cinnamon bun Prompto Argentum.

Continue reading “Stand By Me: Love & Vulnerability in ‘Final Fantasy XV’”

Sunday Loot: A Roundup of Breakout Indie Games Featured at #PlayNYC

Happy Sunday, friends! This weekend marks the launch of Play NYC, the first-ever games convention to hit New York State. It’s a long-awaited event for all of us (myself included!) to finally see the games industry celebrated over in our neck of the woods. While I unfortunately couldn’t attend this year, I wanted to make sure I boosted all the games I was most excited about getting to play at the event!

For those of you who know the deal with this particular series of ours, you might have noticed that we updated the formatting just a bit. Every game listed here is unique, and we wanted to make sure to convey exactly what they all entail in the quickest way possible. Think of it like a drive-thru indie game store — you can scan the list, choose your favorites, and hit the gas!

As always, if you know of an inclusive gaming space or games project you’d love to see promoted on our Sunday Loot series, drop us a comment below or check out our contact list! We’d love to hear from you, especially about new and exciting spaces where all gamers can hang out. ❤

Continue reading “Sunday Loot: A Roundup of Breakout Indie Games Featured at #PlayNYC”

To My Valjean, Carmen Sandiego: History Still Marches On

“A famous writer once said: ‘Show me a hero and I’ll write you a tragedy.'”

— Carmen Sandiego, Boyhood’s End: Part Two

To those of you who grew up playing edutainment games, I ask this: what was the biggest lesson that stood out to you? Can you remember the name of every historical figure? The capital of every country in the world? The difference between a preposition and an adverb? Or how to subtract fractions?

Upon revisiting a few of my childhood favorites, I discovered there were some lessons I remembered and others I didn’t. When I replayed Cluefinders 4th Grade Adventures, for example, I learned that I still hate, hate, HATE fractions, but I adore the delightfully over-the-top villain. Edutainment games were gifts I received after attending all of my summer camp lessons, or sometimes as a surprise at the end of the school year. My favorite was always the Carmen Sandiego series. Perhaps it was the spy setting, or the endless puns, or even getting to fantasize that I really could save the world with little more than a basic working knowledge of geography.

But in hindsight, the most fascinating part of the series was — and still is — Carmen herself.

Truth be told, I didn’t know what to make of Carmen as a kid. She could be ruthless, charming, clever enough to get away with legendary thefts, and bold enough to leave her mark on the world. Carmen was the villain; therefore, we should root to bring her down, right? She stole things like the Mona Lisa’s smile. How did she even do that? I didn’t know and couldn’t begin to guess, but that didn’t matter. My role was to catch the crook regardless of intent. Wasn’t Carmen Sandiego the Jean Valjean to my Inspector Javert?

Okay, I didn’t know about Les Misérables back then, but I think the comparison will become clear. Especially because it’s been almost nineteen years since I first played Carmen Sandiego’s Great Chase Through Time.

Continue reading “To My Valjean, Carmen Sandiego: History Still Marches On”

#BadassBitchesTour: Dismantling the Patriarchy One Museum At a Time

Our tour group in front of the Florine Stettheimer exhibit. I’m second on the right! 🙂

In 1989, an anonymous group of art activists calling themselves the Guerrilla Girls dropped a little factoid that rocked the art world: the Metropolitan Museum’s Modern Art section included less than 5% of women artists, while 85% of the nudity on display featured women. Think it’s gotten any better come 2017? Uh, no. That staggering number now stands at only 6% of featured women artists to the tune of around 70% nudes. If you’re a fairly regular visitor to the Met like I am, you’ll be hard-pressed to find decent representation.

Enter: Museum Hack. Their team is working to offer an affordable set of tours that attempt to dismantle the inaccessible, overly academic language that so often surrounds museums. They’re also out to challenge the patriarchal stereotypes that exist throughout the art world in a fun and interactive setting. It’s a tall order, but somebody has to do it.

So when I was recently invited to attend a tour of my choosing, I was surprised to find so many options at my disposal. Museum Hack covers five major cities in the U.S. (Chicago, D.C., L.A., NYC, and San Francisco), and of the tours available in my area, I went for the one appropriately titled “Badass Bitches.” Because of course. Also, the intro sounded amazing:

“Remember when feminism happened, and Georgia O’Keeffe kicked butt, and now museums and the art world totally treat male and female artists with equal value? JK JK IT’S STILL SUPER BAD!”

As you might have guessed, this officially marks FemHype’s first foray into pop culture. We’ve covered events and conventions alike, but now we’re excited to open up the floor to talk about more than just games! (Shoutout to the women enthusiastically swapping Overwatch stories before the tour began on Saturday, though. It made me giddy.) If you’ve been waiting to submit something unrelated to games, congrats! Your time has come. Swing on over to our submissions page and we’ll get you started. ❤

While I was invited by a member of the Museum Hack staff to write this review, I was strongly encouraged to be honest about my experience. If I had a bad time, I definitely wouldn’t be recommending it to any of you now, but I think it’s still worth noting that I was asked to tag along in the first place. All good? Onward!

Continue reading “#BadassBitchesTour: Dismantling the Patriarchy One Museum At a Time”

Powered by WordPress.com.

Up ↑